Between Batman, Robin and Catwoman, six Year One annuals were published between them. In 1995, all of the DC Comics Annuals for that year featured a singular Year One story. Robin and Batgirl have both had their own Year One limited series, and Nightwing had a six-issue Year One story within his own title. Two in-series stories were published aptly titled Batman: Year Two and Batman: Year Three. The popularity of Frank Miller's work inspired other creators to expand upon the Year One concept. Bruce Wayne's loyal butler Alfred Pennyworth is likewise re-introduced, however the character is shown to be more acerbic and sarcastic in demeanor than longtime readers may remember – a trait that has been maintained in both comics and external media throughout the years. It briefly recaps the events which led to the deaths of his parents Thomas and Martha Wayne, while adding a psychological imbalance to the character that had not existed in previous origin stories. The origin of Batman remains true to the original vision first described by writer Bill Finger and artist Bob Kane. As such, many of DC's more infamous characters were provided with new, updated origins – Batman included. This ambitious initiative culminated in a company wide "cosmic reboot" which took place in the twelve issue maxi series Crisis on Infinite Earths. In 1985, DC Comics sought to streamline a shared continuity which had become bogged down by over fifty years' worth of stories. I'm too lazy to list the rest that's a pretty comprehensive list but you didn't come here looking for a list.Batman: Year One was published from February to May of 1987 and ran through issues #404-407 of the regular Batman comic book series. That so many texts are about interpersonal connections in one manner or another is testament to the complexity of human relationships. Is an individual a hypocrite if they are committed to the highest standards in their professional life, but not in their personal life? Or is it a flaw to be overcome? In this regard Selina Kyle may actually be the most consistent of all the characters in the story.Īh this old chestnut. Of course, this theme includes the idea of being answerable for and to one's self, as demonstrated by Gordon's constant self-awareness of the illicit nature of his affair with Essen. Are there any inconsistencies in her behaviours? Why do you think the author chose to re-imagine Kyle as a dominatrix? Although her trade as a sex worker may be considered by some as distasteful, in many cultures and societies it is perfectly legal and well respected. In fact it's not until she is inspired by the example of the Batman that she creates her catwoman persona in order to get the both of them out of the industry. Selina Kyle is another interesting case - a practicing dominatrix and guardian to young sex worker Holly, she sees no real problems with condoning what is most likely under-age prostitution. He still expects the best, but his personal experiences throughout the novel lead him to a place where, mentally, he is able to accept the necessity of a vigilante such as the Dark Knight. James Gordon comes to Gotham with very high and inflexible standards but as the novel progresses these standards are slowly lowered and loosened. What one person finds morally right and ethically correct may be wildly different to another - these beliefs are shaped by our personal contexts.
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